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On golden rose -- The rebellion of characters作文|On golden rose -- The rebellion of characters 英語(yǔ)作文
在日常學(xué)習、工作和生活中，大家都接觸過(guò)作文吧，作文是由文字組成，經(jīng)過(guò)人的思想考慮，通過(guò)語(yǔ)言組織來(lái)表達一個(gè)主題意義的文體。你知道作文怎樣才能寫(xiě)的好嗎？以下是小編幫大家整理的On golden rose -- The rebellion of characters作文|On golden rose -- The rebellion of characters 英語(yǔ)作文，歡迎閱讀，希望大家能夠喜歡。
This chapter mainly talks about the experience of the characters out of the outline.
The more detailed the outline, the less active the work will be. Alexander Pushkin and Tolstoj, it is said repeatedly, should be the object of the author‘s admiration. Their inspiration for writing fiction can be a crumpled piece of paper on the ground, with basic characters and story lines chosen for improvisation.
Foreign works are not appreciated in the same way as Chinese works. They usually revolve around a single noun. The characters are rich in personality and expressiveness, and they carry what they want to express directly to the eyes. Chinese works pay great attention to details and the implied meaning behind them, it takes a lot of thought to get to Myōgi.
Despite the differences between Chinese and western expressions, the creative process is the same, first according to the outline drawn up before, but soon this work will develop to depth and breadth, full of characters, events, light and color, driven by imagination, moving forward smoothly and smoothly, the author of the novel dedicates his cherished image and language to the world without reservation.
But once the characters appear, they get life, they do not follow the author’s outline, the author of this article believes that this is a natural thing, that real life has a more understanding, in accordance with the Gourd Gourd Gourd Ladle, but seems to be stuck in a Rut.
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